Category Archives: oa.archives

Improving Access, Reducing Barriers Top Priorities for New Archivist | National Archives

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“Dr. Colleen Shogan began her tenure as the 11th Archivist of the United States last month, launching what she intends to be a tenure focused on improving access to and expanding the reach of the National Archives and Records Administration (NARA)….

One word I really keep in my head is access, and I mean access in all the ways that we’ve talked about in this interview: access for people who are who are curious, who want to learn more, access for people who need the records for a particular reason, access for people that maybe find interacting with a government agency or government institution intimidating….”

“Zayed University Library, Open Access and the Place of the University ” by Lekoko Kenosi

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Abstract:  Zayed University Library, like most academic libraries the world over, subscribes to the principle of open access to knowledge. Open access works to removes barriers to information, advocates unrestricted use of electronic resources, and strives to facilitate readers with readily available information. This approach plays a critical role in supporting universities’ core mission of teaching, faculty and student research, and community outreach engagements. Similarly, the Archives, like its library counterpart, is home to a rich array of information capable of supporting teaching, research and community outreach initiatives. However, due to the confidential nature of materials in the archives, many archival repositories do not champion unfettered access to their content. This paper will deliberate on conditions governing access to archival content by reviewing provisions of the UAE Federal Law No 7 of 2008 on the National Archives, the UAE Federal law No 13 of 2021 amending some provisions of the Federal Law No 7 of 2008, and international best practice standards, rules and regulations spelling out the place of the archives in an academic library set-up.

 

Venkat Srinivasan: We need to push ahead for efforts in nurturing archives

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“In 2009-2010, I was actively thinking about and doing scientific work during the day, conducting interviews after hours and over lunch, and doing my own writing over evenings and weekends. In hindsight, it was a formative period for me and led me to thinking critically about the form and content of archives going forward. I started to develop some basic ideas for the structure of an archive with interconnections to oral history interviews, publicly accessible information, and some methods to democratise description of historical objects. Of course, these are ideas that see parallels across generations, and one is merely building on others’ work. Again, I had luck on my side and was able to connect with the oral historian and archivist, Indira Chowdhury, in ~2012 and she was the one who very kindly connected me to NCBS, where I am now based. I was new to archiving then, and found the archiving community to be extraordinarily welcoming. I am so grateful that archivists from across the world shared ideas and material and really trained me in the past decade….”

League of Nations Archives now fully digitized | UN Archives Geneva

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The UN Archives Geneva platform gives access to the fonds and collections managed by the United Nations Library and Archives in Geneva, including the archives of the United Nations in Geneva, the League of Nations (1919-1946), international peace movements (from 1870), and private papers.

It offers the possibility to search both the description of files or archival documents and in the full text of archival documents that have been digitized.

 

 

UCLA Library to expand global preservation work thanks to largest grant in its history | UCLA

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Key takeaways:

In four years, the Modern Endangered Archives Program has published content from 11 collections, featuring more than 12,000 objects from 11 countries.
The program has preserved audio recordings, political ephemera, photography, newspapers and financial ledgers.
The preserved collections are publicly accessible and digitally preserved, while the physical materials remain in their origin countries.

 

Archives, Access and Artificial Intelligence bei Transcript Publishing

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“Digital archives are transforming the Humanities and the Sciences. Digitized collections of newspapers and books have pushed scholars to develop new, data-rich methods. Born-digital archives are now better preserved and managed thanks to the development of open-access and commercial software. Digital Humanities have moved from the fringe to the center of academia. Yet, the path from the appraisal of records to their analysis is far from smooth. This book explores crossovers between various disciplines to improve the discoverability, accessibility, and use of born-digital archives and other cultural assets….

 

Introduction
Seiten 7 – 28

Chapter 1: Artificial Intelligence and Discovering the Digitized Photoarchive
Seiten 29 – 60

Chapter 2: Web Archives and the Problem of Access: Prototyping a Researcher Dashboard for the UK Government Web Archive
Seiten 61 – 82

Chapter 3: Design Thinking, UX and Born-digital Archives: Solving the Problem of Dark Archives Closed to Users
Seiten 83 – 108

Chapter 4: Towards Critically Addressable Data for Digital Library User Studies
Seiten 109 – 130

Chapter 5: Reviewing the Reviewers: Training Neural Networks to Read Peer Review Reports
Seiten 131 – 156

Chapter 6: Supervised and Unsupervised: Approaches to Machine Learning for Textual Entities
Seiten 157 – 178

Chapter 7: Inviting AI into the Archives: The Reception of Handwritten Recognition Technology into Historical Manuscript Transcription
Seiten 179 – 204

AFTERWORD: Towards a new Discipline of Computational Archival Science (CAS)
Seiten 205 – 218 …

[From the Introduction:]

The closure of libraries, archives and museums due to the COVID-19 pandemic has highlighted the urgent need to make archives and cultural heritage materials accessible in digital form. Yet too many born-digital and digitized collections remain closed to researchers and other users due to privacy concerns, copyright and other issues. Born-digital archives are rarely accessible to users. For example, the archival emails of the writer Will Self at the British Library are not listed on the Finding Aid describing the collection, and they are not available to users either onsite or offsite. At a time when emails have largely replaced letters, this severely limits the amount of content openly accessible in archival collections. Even when digital data is publicly available (as in the case of web archives), users often need to physically travel to repositories to consult web pages. In the case of digitized collections, copyright can also be a major obstacle to access. For instance, copyrightprotected texts are not available for download from HathiTrust, a not-for-profit collaborative of academic and research libraries preserving 17+ million digitized items (including around 61% not in the public domain)….

It is important to recognize that “dark” archives contain vast amounts of data essential to scholars – including email corres

Libraries Collaborates for Open Access to Archive of Prominent Urdu Writer and Activist | University of Texas Libraries | The University of Texas at Austin

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The comprehensive works of influential Urdu writer, social critic and political activist Sajjad Zaheer are now broadly accessible for scholarship and study thanks to a partnership between The University of Texas at Austin and Ambedkar University Delhi (AUD), with endorsement from the Indian writer’s estate.

NFTs and AI Are Unsettling the Very Concept of History | WIRED

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“But now the survival of archives as we know them is uncertain. Whether we know it or not, we all rely on a patchwork of chronically underfunded public and private institutions that hold the world’s histories and cultural heritages in trust for all of us and make them accessible….

It was only a matter of time before the market figured out a way to manufacture and sell digital scarcity, and the marketplace for cultural objects has moved well past the archival ecosystem. Artists, gamers, entertainers, athletes, and executives now sell NFTs, tokenized digital objects whose authenticity is said to be assured by the reverse traceability of blockchain transactions. The combination of Covid-19 isolation and cryptocurrency profits created a powerful incentive for digital-positive collectors to compete for these NFTs, and some creators are raking in Ethereum….

Nothing could be a greater cultural and ethical shock to archives than NFTs. Prevailing archival ethics generally dictate that all users are treated equally, and that archival materials aren’t exposed or sold only to high bidders. And once archives select materials for retention, they consider themselves in most cases ethically bound to do so permanently….

As poor a fit with archival DNA as tokenizing archive collections as NFTs may be, the possibility of leveraging digital scarcity by selling NFTs while retaining physical materials is a hefty temptation. The archival world is a world of inadequate budgets and financial constraint, filled with underpaid workers and massive, poorly resourced projects like digital preservation, and the challenging task of digitizing analog materials. Will archives be tempted by the potential upside of NFTs and tokenize digital representations of their crown jewels (or the rights to these assets)? This would worsen an already bad situation…

One working solution is for cultural and historical institutions like archives to run their own trusted registries of digital objects. But this is expensive, and it creates further incentives for archives to monetize their holdings and become less accessible to noncommercial users, like genealogists, the group that uses archives more than anyone else. …”

Science family journals’ move to new online platform will enhance user experience | EurekAlert! Science News

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To make all content across the Science family of journals more integrated, discoverable, and visually compelling for the reader, the American Association for the Advancement of Science (AAAS), the world’s largest general scientific society and publisher of the Science family of journals, will move its full suite of online content to Atypon’s online publishing platform, Literatum, in the summer of 2021.

SPARC Supports We Here’s Publication, up//root, with $20,000 Grant — up//root

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“Recognizing We Here’s contribution to the library and archives community through the centering of Black and Indigenous folks and People of Color (BIPOC), SPARC (the Scholarly Publishing and Academic Resources Coalition) has provided a $20,000 grant toward their publication up//root. 

up//root: a we here publication, launched in 2020, is a publishing collective that exists to center the works, knowledge, and experiences of BIPOC within the context of the library and archives community. up//root is currently online and open access with goals of publishing in print in the future. …”

Russian Academy of Sciences archive reopens after debts forced it to close in March — Meduza

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“On June 19, the reading rooms of the Archive of the Russian Academy of Sciences (ARAN) reopened after months of inactivity. The archive’s director, Alexander Rabotkevich, told Meduza about the reopening.

“I am pleased to inform you that, beginning today, the reading rooms of the RAN archives in Moscow and St. Petersburg are open once again,” he said. “Our employees’ salaries have been paid in full, and all debts […] whose payment was necessary for the organization’s accounts to operate have been paid.” According to Rabotkevich, the debts that brought the archive’s operations to a stop amounted to 4.3 million rubles ($68,000). A subsidy from Russia’s Education Ministry helped the archive pay up….”

SAA Sampler Series Now Open Access | Publishing in the Archives Profession

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“A few years ago, SAA’s Publications Board started creating samplers. These are introductions to topics and SAA publications, whether to read on your own or used in a classroom. Two recent announcements about these samplers: they are now all open access and there’s a new one on social justice.

SAA samplers online

Archival Advocacy: Archivists must continually explain who they are, what they do, and why archives are important to society. The selected chapters in this sampler offer different approaches and techniques from three books which align with the core goal of advocating for archives.

Law and Ethics: All archivists will face legal or ethical concerns throughout their careers. In many cases, we are caught unaware, and pressure is escalated by time crunches or demanding patrons. The chapter from the three books represented here aim to equip archivists to handle these sorts of dilemmas as they arise, by presenting practical information drawn from real-life experiences of archivists.

Social Justice: As repositories of the objects that make up the historical record, archives have the potential to shape and define our collective understanding of the past. The selected chapters in this sampler consider personal and collective memory as well as examples of political influence over the historical record.”

 

The British Museum: A Museum for the World | British Museum blog

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“The British Museum was founded in 1753 by an act of Parliament and is the embodiment of Enlightenment idealism. In a revolutionary move, it was from its inception designed to be the collection of every citizen of the world, not a royal possession and not controlled by the state. Over the succeeding 260 plus years it has gathered and exhibited things from all over the globe – antiquities, coins, sculptures, drawings – and made them freely available to anyone who was able to come and see them. Millions have visited and learned, and have been inspired by what they saw. Today the Museum is probably the most comprehensive survey of the material culture of humanity in existence. The world today has changed; the way we access information has been revolutionised by digital technology. We live in a world where sharing knowledge has become easier, we can do extraordinary things with technology which enables us to give the Enlightenment ideal on which the Museum was founded a new reality. It is now possible to make our collection accessible, explorable and enjoyable not just for those who physically visit, but to everybody with a computer or a mobile device. Our partnership with Google allows us to further our own – extraordinary – mission: to be a Museum of and for the World, making the knowledge and culture of the whole of humanity open and available to all.  But this isn’t just about putting the collection ‘online’. Through our partnership with Google, we hope to give people new ways to experience and enjoy the Museum, new ways to learn, new ways to share and new ways to teach. Thousands of objects from the Museum’s collection will be available to view through the Google Cultural Institute site and through a special microsite ‘The Museum of the World’ which will allow users to explore and make connections between the world’s cultures. One of the Museum’s most important Chinese scrolls, the 6th-century Admonitions Scroll has been captured in super high-resolution to give you a closer and more intimate view than could be achieved with the naked eye. We’ve captured the whole Museum via Street View, meaning that if you can’t get to the Museum in person, you can do a virtual walking tour of every permanent gallery, and all its outdoor buildings. And virtual exhibits allow you to see Celtic objects from across UK museums brought together in a unique tour, or a thematic exhibition detailing Egypt’s history after the pharaohs. None of this is to deny the power of seeing an object in the flesh in a gallery, nothing will replace that experience, but it does allow a far greater public access to the Museum and its unparalleled collection …”