16:50-17:00 (GMT): Welcome
Prof. Gary Hall (COPIM, Centre for Postdigital Cultures, Coventry University)
17:00-18:30: Keynote panel session with a response by Dr. Lozana Rossenova (Open Science Lab, TIB Hannover)
Writing a Book As If Writing a Piece of Software
Keynote by Dr. Winnie Soon (Course Leader at the Creative Computing Institute, University of the Arts London, Associate Professor (on leave) at Aarhus University, visiting researcher at the Centre of the Study of the Networked Image (CSNI), London South Bank University)
The term “computational publishing” has emerged in recent scholarship and is used specifically to describe books as dynamic and computational objects that are open to re-versioning. Within this specific genre of computational publishing, this presentation focuses on characteristics and common approaches like free and open source software, community practices and programmable processes by discussing three examples. They are related to a Git repository, collaborative publishing software and a DIY book to explore the possible computational extensibility that is oriented more toward collective interventions, actions and practices. These examples examine a parallel between writing and coding that blurs the boundary between books and software, arguing that writing (publishing) a computational book is like writing (publishing) a piece of software.
Digital Space as Indigenous Territory, Scholarly Writing as Relational Practice: Reflections from the Collaborative Production of an Open Access Book
Keynote by Prof. Paige Raibmon (Department of History, University of British Columbia (UBC)).
As I Remember it is an open access digital book that shares teachings presented by the ?a?am?n Elder and knowledge keeper Elsie Paul with wide-ranging audiences. Paul collaborated in order to produce this work with two of her grandchildren, Davis McKenzie and Harmony Johnson, and myself, a historian based at the University of British Columbia. In this talk, I share discuss our multi-year, collaborative process in which we strove to design a digital book whose form aligns with the meanings embedded within the its content (i.e. the teachings as shared and remembered by Paul). Principles of relationality, respect, and humility were central to our methodology and helped us navigate the potential promise and pitfalls of bringing Indigenous knowledge into an open access digital space. Using a range of means, we visibly and interactively embedded ?a?am?n authority over ?a?am?n knowledge into the book. We invite readers to approach the book as guests of a ?a?am?n host; and to consider the website itself as ?a?am?n territory. Thus, this digital book attempts to do something quite different than simply sharing information about Paul’s life. It challenges wide-spread assumptions about scholarly method, production, authorship, expertise, and copyright.
I invite and encourage people to explore the book before my talk at: ravenspacepublishing.org/as-i-remember-it/
18:30-18:45: Closing Remarks
Dr. Janneke Adema (COPIM, Centre for Postdigital Cultures, Coventry University)