Category Archives: oa.public_knowledge

Public Knowledge Responds to Lawsuit Against Internet Archive: Policymakers, Publishers, and Libraries Should Make Print Books More Accessible During the Pandemic | Public Knowledge : Public Knowledge

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“Today, a number of major publishers filed suit against the Internet Archive, arguing that making electronic copies of print books available to library patrons is unlawful.

The following statement can be attributed to John Bergmayer, Legal Director at Public Knowledge:

“It is disappointing to see publishing companies take this approach. Controlled Digital Lending is plainly fair use under copyright law. The National Emergency Library, which expands on CDL, is justified under the circumstances of the pandemic, when so many print books paid for by the public are inaccessible.

“At a time when so many people are relying on the internet and electronic resources for work, education, and research, a more collaborative approach between libraries, archives, and publishing companies would be welcome.

“We call on policymakers to support legislation clarifying the right of libraries to make print books available to patrons electronically, and to serve their constituencies during times of emergency.” …”

New Report on Termination Rights for Authors | Authors Alliance

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“Last week, Public Knowledge released Making Sense of the Termination Right: How the System Fails Artists and How to Fix It, a report that explores the right of authors to terminate a copyright license or grant and regain rights in their works—even if their contracts contain language to the contrary.

The termination system was designed to protect authors and their heirs against unprofitable or inequitable agreements. But the report argues it is failing to protect the very people termination was designed to serve: artists and creators….

The report recommends six policy actions to help restore fairness and functionality to termination of transfer rights:

Revise the Copyright Act so that the termination right vests automatically;

Revise the Copyright Act so that the termination right vests sooner than 35 years after a grant of rights under § 203 or 56 years after the copyright is first obtained under § 304;

Eliminate or revise the “work made for hire” exception or statutory definition;

Mitigate the need for artists to litigate ownership disputes prior to exercising their termination right by revising the statute of limitations or clarifying that the mere act of registering an adverse claim with the Copyright Office is not an effective repudiation of an ownership claim;

Address derivative works issues through statutory clarification; and

Conduct a formal study on the exercise and administration of the termination right, including the effects of the termination right on contract negotiation and renegotiation….”