UP 2.0: Some Theses on the Future of Academic Publishing

The Journal of Electronic Publishing Vol 13 Issue 1, 2010-03-01

Much attention has been focused recently on the transition from the printed to the digital book, and some of these reactions—and invariably the ones featured in the media—have been extreme, ranging, at one end, from teeth-gnashing proclamations on the end of culture, if not civilization, as we know it and, at the other end, to apocalyptic euphoria verging on Rapture. To the true believers, the digital book, and the seamless connectivity it seems to make inevitable between everything ever written and everybody still reading, appears either as the final dagger in the heart of the literary culture or as the realization of the globalizing, utopian visions of writers such as Teilhard de Chardin, Marshall McLuhan, or Internet guru Ted Nelson. Both extremes, but with opposite affect and attitude, seem to take for granted the imminent precipitous decline, if not outright demise, of the printed book, notwithstanding that such books have held sway for four and a half centuries, during which they have been integral to and instrumental within immense religious, political, social, intellectual, scientific, and cultural reformations, revolutions, and upheavals.